Bibliography
     
 

Adair, C. (2001) ‘Phoenix Perspectives: African American influences on a British Dance Company’, in Embodying Liberation, Fischer- Hornung, D. & A. Goeller, eds. Hamburg: Lit Verlag 125-134

Adshead, J. ed. (1988) Dance Analysis: Theory and Practice, London: Dance Books

Adshead-Lansdale, J. ed. (1995) Border Tensions: Dance and Discourse, University of Surrey

Adshead-Lansdale, J. (1999) Dancing Texts: Intertextuality in Interpretation, London: Dance Books

Adzido (not dated) Internet WWW page at URL: www.african-caribbean-ents.com/ adzido.html (accessed April 2007)

Akram Khan Dance Company (not dated) biographies, Internet WWW page at URL: www.akramkhan company .net /html/akram productions.htm (accessed 2005 and 2007)

Alexander, K. (not dated) ‘An Introduction to Skinner Releasing Technique’, The Healthier Dancer Programme News sheet, London: Dance UK

Arbeau, T. (1968) Orchesography, trans. Beaumont, C., New York: Dance Horizons (first published in French in 1589)

Arts Council of England (2003) Spending Plan 2003/06 for Regularly Funded Organisations, London: Arts Council of England

Arts Council of England (2005) ‘Regular Funding for London Organisations’, in News, May London: Arts Council of England

Arts Council of England (2006a) Dance Policy, London: Arts Council of England 

Arts Council of England (2006b) Grants for the Arts: Understanding the Assessment Criteria for our Priorities, London: Arts Council of England 

Arts Council of England (not dated) How We Assess Artistic Quality, London: Arts Council of England 

Arts Council of England (not dated) About Us, Internet WWW page at URL: www.artscouncil.org.uk/aboutus  (accessed May 2007)

Badejo Arts (not dated) ‘About Us, Internet WWW page at URL: www.badejoarts.co.uk  (accessed January 2005 and April 2007)

Badejo, P. (1993) ‘What is Black Dance in Britain?’  Dance Theatre Journal, 10, no. 4, 10-13

Banes, S. (1983) Democracy’s Body: Judson Dance Theatre 1962-64, Ann Arbor, Michigan: UMI Research Press

Banes, S. (1987) Terpsichore in Sneakers: Post-Modern Dance, Hanover, NH: Wesleyan University Press (first published (1980)

Banes, S. (1994) ‘Criticism as Ethnography’, in Writing Dancing in the Age of Postmodernism, Hanover, NH and London: Wesleyan University Press 16-23

Banes, S. (1998) Women Dancing: Female Bodies on Stage, London: Routledge

Bannerman, H. (1998) The Work (1935-1948) of Martha Graham (1894-1991) with particular reference to an analysis of her movement system, vocabulary and syntax,  unpublished PhD thesis, London: Roehampton Institute

Barrett, J.S. (2007) ‘Ethnicity and Community Dance’, Animated, Spring 2007, 15-17

Bartlett, K. (2007) ‘What is Intercultural Dialogue?’ Animated, Spring 2007, 14

Baudrillard, J. (1993) ‘The Evil Demon of Images’, in Docherty, T., ed.

Postmodernism: A Reader, Hertfordshire: Harvester Wheatsheaf 194 -196 (first published 1987)

Baumann, R., ed. (1992) Folklore, Cultural Performances, and Popular Entertainments, Oxford: Oxford University Press

Barthes, R. (1977) Image, Music, Text: Essays Selected and Translated, London: Fontana (first published 1971)

Barthes, R. (2000) ‘Myth today’, in Mythologies, London: Vintage 109 -159 (first published 1957)

Beardsley, M. & H. Schueller, eds. (1967) Aesthetic Enquiry: Essays in Art Criticism and the Philosophy of Art,   California: Belmont

Beardsley, M. (1975) Aesthetics: From Classical Greece to the Present Day, a Short History, Alabama: University of Alabama Press (first published 1966)

Bell, C. (1969) ‘Significant Form’, in Hospers, J., ed. Introductory Readings in Aesthetics, New York: The Free Press 87-99 (first published 1913)

Benthall, J. & T. Polhemus, eds. (1975) The Body as a Medium of Expression, London: Allen Lane

Best, D. (1974) Expression in Movement and the Arts, London: Lepus Books

Best, D. (1986) ‘Culture-Consciousness: Understanding the Arts of Other Cultures’, Study of Dance Conference: Dance a Multicultural Perspective, Guilford: University of Surrey

Birmingham Royal Ballet (2006-7) Ballet Changed My Life: Ballet Hoo!, Diverse TV and Channel 4 (first programmed Channel 4 starting Tuesday 6 March 2007)

Blacking, J., ed. (1977) The Anthropology of the Body, U.S: The Academic Press

Blanshard, R. (2000) The New York City Ballet Workout, New York: Palm Pictures

Blau, J. (1988) ‘Study of the Arts: A reappraisal’, Annual Review of Sociology, 14, 269-292

Bourdieu, P. (1984) Distinction, trans. Nice, R., London: Routledge (first published 1979)

Bourman, A. (1937) The Tragedy of Nijinsky, London: Hale

Boyne, R. (1991) ‘Power-knowledge and Social Theory: The Systematic Misrepresentation of Contemporary French Social Theory in the Work of Anthony Giddens’, in Bryant, C. & D. Jary, eds. Giddens' Theory of Structuration: A Critical Appreciation, New York: Routledge

Bradley, H. (1992) ‘Changing Social Divisions: Class Gender and Race’, in Bockock, R. & K. Thompson, eds. Social and Cultural Forms of Modernity, Cambridge: Polity Press 11-55

Bridgewood, A., C. Fenn, K. Dust, L. Hutton, A. Skelton & M. Skinner (2003) Focus on Cultural Diversity; The Arts in England,  London: Arts Council of England

Briginshaw, V. (2001) Dance, Space and Subjectivity, New York: Palgrave

British Broadcasting Corporation (2003) Imagine: Carlos Acosta ­ The Reluctant Dancer, (first programmed 9th July 2003, BBC1)

Brown, B. (1997) ‘The Politics of Contact‘, in Contact Quarterley: Contact Improvisation Sourcebook, Northampton Mass.: Contact Editions 18-21 (first published 1977)

Brown, C. & P. Gay (1985) Racial Discrimination: 17 Years After the Act, London: Policy Studies Institute

Brown, I. (2005) ‘A Long Goodbye, Long Overdue’, The Daily Telegraph, 5 April

Brinson, P. (1991) Dance as Education, Basingstoke:The Falmer Press

Buckland, T. (1999a) ‘All dances are ethnic, but some are more ethnic than others: Some observations on dance studies in anthropology’,  Dance Research, 17, no. 1, 3-21

Buckland, T. (1999b) Dance in the Field; Theory, Methods and Issues in Dance Ethnography, London: Macmillan Press Ltd.

Bullough, E. (1977) Aesthetics: Lectures and Essays, Connecticut: Greenwood Press (first published 1912)

Bunbury, N. (2006) ‘Does Street Dance need a Formal Teaching Qualification?’ Hotfoot Online, Internet WWW page at URL: www.adad.org.uk/metadot/indexpl?id=22866&isa=Category&op=show (accessed April 2007)

Burt, R. (1995) The Male Dancer, London and New York: Routledge

Burt, R. (1998) Alien Bodies: Representations of Modernity, Race and Nation, in Early Modern Dance, London: Routledge

Burt, R. (2001) Katherine Dunham’s Rite de Passage, Censorshop and Sexuality, in Embodying Liberation, Fischer-Hornung and Goeller,  eds.  Hamburg: Lit Verlag 79-90

Burt, R. (2004) Contemporary Dance and the Performance of Multicultural Identities, Internet WWW page at URL: www.akramkhancompany.net/ html/akramreviews.htm (accessed April 2007)

Burt, R. (2006) Judson Dance Theater: Performative Traces, London: Routledge

Cantle, T. (2001) Community Cohesion: A Report of the Independent Review Team, London: Home Office

Carr, D. (1989) The Challenge of the New Ballet: A view of Michel Fokine's work for the early Diaghilev Ballet Russe 1909-1914, unpublished MA thesis, London: Laban Centre

Carter, A. (2005) Dance and Dancers in the Victorian Music Hall, Aldershot: Ashgate Publishing

Cassell, P. (1993) The Giddens Reader, London: Macmillan

Chan, T. & J. Goldthorpe (2006) Social Stratification of Cultural Consumption Across Three Domains, University of Oxford: awaiting publication by Stanford University Press

Cohen, I. (2000) ‘Theories of Action and Praxis’, in Turner, B., ed. The Blackwell Companion to Social Theory, Oxford: Blackwell Publishers Ltd.  73-111 (first published 1966)

Connor, H., C. Tyers, S. Davis, N.D. Tackey & T. Modood (2003) Minority Ethnic Students in Higher Education: Interim report, DfES Research Report RR448, Internet WWW page at URL:  www.employmentstudies.co.uk/summary/summary.php?id=rr448  (accessed 4th November 2006)

Cooper Albright, A. (1997) Choreographing Difference, Hanover, NH: Wesleyan University Press

Copeland, R. (1990) ‘In Defence of Formalism’, Dance Theatre Journal, 7, no. 4, 4-39

Copeland, R. (2000) ‘Ballet, Modern Dance and Modernity’, Dance Theatre Journal, 16, no.2, 42-47

Cowart, M. (2006) ‘Embodied Cognition’ in Fieser A. & B. Dowden ,The Internet Encylopaedia of Philosophy, wwwinternet page at URL:

            www.iep.utm.edu/e/embodcog.htm (accessed May, 2007)

Creswell, J. (1994) Research Design: Qualitative and Quantitative Approaches, California: Sage Publications

Croce, A. (1978) Afterimages, London: A & C Black (first published 1969)

Crowther, P. (1993) Art and Embodiment, Oxford: Clarendon Press

Crowther, P. (2003) ‘Cultural Exclusion, Normativity, and the Definition of Art’, The Journal of Aesthetics and Art Criticism, 61, no. 2, 121-131

Csordas, T., ed. (1994) Embodiment and Experience, Cambridge: Cambridge University Press

Daly, A. (2002) Critical Gestures: Writings on Dance and Culture, Middletown: Wesleyan University Press

Davies, C. A. (1999) Reflexive Ethnography, London: Routledge

Davies, R. & R. Lindley (2003) Artists in Figures, London: Arts Council of England

Defrantz, T. (2001) ‘Black Bodies Dancing Black Culture’, in Embodying Liberation, Fischer- Hornung & Goeller, eds. Hamburg: Lit Verlag 11-16

Defrantz, T. (2004) Dancing revelations: Alwin Ailey's Embodiment of African American Culture, London: Oxford University Press

Denby, E. (1968b) ‘A Briefing in American Ballet’, in Looking at The Dance, New York: Horizon 394-410(first published 1947.)

Descartes, R. (1968) Discourse on Method and the Meditations, trans. Sutcliffe, F.E., London: Penguin (first published 1637)

Desmond, J. (1998) ‘Embodying Difference: Issues in Dance and Cultural Studies’ in Carter A., ed. The Routledge Dance Studies Reader, London: Routledge 91-97 (first published 1993) 

Dickie, G. (1974) Art and the Aesthetic: An Institutional Analysis, New York: Cornell University Press

Dixon Gottschild, B. (2001) ‘Afterword’, in Embodying Liberation, Fischer-Hornung and Goeller, eds. Hamburg: Lit Verlag 145-150

Dodds, S. (1999) ‘Popular Culture in the Work of Lea Anderson’, in Adshead-Lansdale, J., ed. (1999) Dancing Texts: Intertextuality in Interpretation, London: Dance Books 208-230

Donald, J. & A. Rattansi, eds. (1992) Race, Culture and Difference, London: Sage

Douglas, M. (1973) Natural Symbols: Explorations in Cosmology, London: Penguin (first published 1970)

Duncan, I. (1902 or 1903) ‘The Dance of the Future’, in Copeland, R. & M. Cohen, eds. (1983) What is Dance?: Readings in Theory and Criticism, Oxford: Oxford University Press 262-264

Duncan, I. (1927) My Life, New York: Liveright

DV8 Physical Theatre (not dated) Project Index, Internet WWW page at URL: www.dv8.co.uk/project.index/project.index.html (accessed January 2005 and April 2007)

Eco, U., ed. (1992) Interpretation and Overinterpretation, Cambridge: Cambridge University Press

Ekman, P. (1977) ‘Biological and Cultural Contributions to Body and Facial Movement’, in Blacking, J., ed. The Anthropology of the Body, London: Academic Press 39-84

Elias, N. (1978) The Civilising Process, Vol.1: The History of Manners, Oxford: Basil Blackwell (first published 1939)

Elliot, R. (1971) ‘Imagination and the Experience of Art’, in Philosophy and the Arts, Royal Institute of Philosophy Lectures 88-105

Elliot, R. (1972) The Critic and the Lover of Art’, in Mays, W. & S. Brown, eds., Linguistic Analysis and Phenomenology, London: Macmillan117-127

English National Ballet (not dated) Artists of English National Ballet Internet WWW page at URL: http://www.ballet.org.uk/artists.htm (accessed 2007)

English R. (1980) ‘Alas Alack: The Representation of the Ballerina’, New Dance, 15, 18-19

Farnell, B., ed. (1995) Human Actions Signs in Cultural Context, Metuchen, New Jersey: The Scarecrow Press

Featherstone, M. (1991) ‘The Body in Consumer Culture’, in Featherstone, M., M. Hepworth & B.S. Turner, eds. The Body: Social Process and Cultural Theory, London: Sage 170-196 (first published 1982)

Featherstone, M., M. Hepworth & B. Turner, eds. (1991) The Body: Social Process and Cultural Context, London: Sage

Fischer-Hornung, A. Goeller & D. Goeller, eds. (2001) Embodying Liberation: The Black Body in American Dance, Hamburg: Lit Verlag

Fiske J. (1990) Introduction to Communication Studies, (2nd ed.) London: Routledge

Flew, A. (1971) An Introduction to Western Philosophy, London: Thames and Hudson

Fokine, M. (1981) ‘The New Ballet’, in Beaumont, C. Michel Fokine and His Ballets, New York: Dance Horizons 135-143 (first published 1916)

Foster, S. L. (1986) Reading Dancing: Bodies and Subjects in Contemporary American Dance, Los Angeles: University of California Press

Foster, S. L., ed. (1995) Choreographing History, Indianapolis: Indiana University Press

Foster, S. L., ed. (1996) Corporealities: Dancing knowledge, culture and power, London: Routledge

Foucault, M. (1979) Discipline and Punish: The Birth of the Prison, [1975] trans. Sheridan, A., New York: Random House

Foucault, M. (1981) The History of Sexuality vol.1: An Introduction, Harmondsworth: Penguin

Friedland, R. & Boden, D. (1994) Now Here: Space, time and modernity, Berkeley: University of California Press

Frosch, J. ‘Dance Ethnography: Tracing the Weave of Dance in the Fabric of Culture’, in Horton-Fraleigh, S. (1999) Researching Dance, London: Dance Books 249-282

Fry, R. (1969) ‘Art as Form’ in Hospers, J., ed. Introductory Readings in Aesthetics, New York: The Free Press 100-114 (first published 1926)

Garafola, L. (1989) Diaghilev’s Ballets Russes, Oxford: Oxford University Press

Gautier, T. (1986) ‘Return of Fanny Elssler in La Tempête’, in Gautier on Dance, trans. Guest, I. London: Dance Books 15-16 (first published 1837)

Geertz, C. (1973) The interpretation of Cultures, New York: Basic Books

Geertz, C. (1976) ‘Art as a Cultural System’ in Modern Language Notes, 91, 1473-99

Giddens, A. (1991) ‘Structuration Theory: Past, Present and Future’ in Bryant, Christopher & Jary, eds. Giddens' Theory of Structuration: A Critical Appreciation, New York: Routledge 201-221

Gilroy, P. (1987) There Ain’t No Black in the Union Jack, London: Routledge

Giurchescu, A. (1999) ‘Past and Present in Field Research: A Critical History of Personal Experience’, in Buckland, T., ed. Dance in The Field: Theory, Methods and Issues in Dance Ethnography, London: Macmillan 41-54

Goffman, E. (1969) The Presentation of Self in Everyday Life, London: Penguin (first published 1956)

Grau, A. (1993) ‘John Blacking and the Development of Dance Anthropology in the UK’, Dance Research Journal, 25, no. 2, 21-31

Grau, A. (1995) ‘On the notion of bodily intelligence: cognition, corporeality, and dance’, in Adshead-Lansdale, J., ed. Border Tensions: Dance and Discourse, University Of Surrey 141-147

Grau, A. (1998) ‘Myths of Origin’, in Carter A., ed. The Routledge Dance Studies Reader, London: Routledge 197-202

Grau, A. (1999) ‘Fieldwork, Politics and Power’ in Buckland, T., ed. Dance in the Field; Theory, Methods and Issues in Dance Ethnography, London: Macmillan 163-174

Grau, A. & S. Jordan (2000) Europe Dancing: Perspectives on Theatre Dance and Cultural Identity, London: Routledge

Grau, A. (2005) ‘When the Landscape Becomes Flesh: An investigation into body boundaries with special reference to Tiwi dance and western classical ballet’, Body and Society, 11:4 141-163, London, Thousand Oaks and New Delhi: Sage

Greater London Authority (2004a) London Cultural Capital, London: Greater London Authority

Greater London Authority (2004b) Without Prejudice? Exploring Ethnic Differences in London, London: Greater London Authority

Greenberg, C. (1992) ‘Modernist Painting’, in Harrison, C. & P. Woods, eds.  Art in Theory 1900-1990: An Anthology of Changing Ideas, Oxford: Blackwell 754-760 (first published 1965)

Guest, I. (1954) The Romantic Ballet in England, London: Aldine Press

Guest, I. (1996) The Ballet of the Enlightenment: The Establishment of the Ballet d’Action 1770-1793, London: Dance Books

Hall, E. (1959) The Silent Language, New York: Anchor Press

Hall, S (1997) ‘The Work of Representation’, in Hall, S., ed. Cultural Representation and Signifying Practices, London: Sage 13-63

Hall, S. & S. du Gay, eds. (1996) Questions of Cultural Identity, London: Sage

Hall, S., D. Held & T. McGrew eds. (1992) Modernity and Its Futures, Cambridge: Polity Press

Hammersley, M. & P. Atkinson (1983) Ethnography, Principles in Practice, Guildford: Tavistock Publications

Hanna, J.  (1979) To Dance is Human, Austin and London: University of Texas Press.

Hanna, J. (1983) The Performer-Audience Connection, Austin: University of Texas

Hanna, J. (1988) Dance, Sex and Gender: Signs of Identity, Dominance, Defiance and Desire, Chicago: University of Chicago Press

Hanna, J. (1993) ‘Classical Indian Dance and Women’s Status’ in Thomas, H., ed. Dance, Gender and Culture, (1993) London: Macmillan 119-135

Haskell, A, (1979) Balletomania, London: Penguin (first published 1934)

Hawley, N. (1999) ‘Brilliant Careers: Arthur Mitchell’, Internet WWW page at URL:www.salon.com/people/bc/1999/06/29/mitchell/index.html (accessed 02/12/06)

Hodgens, P. (1988) ‘Interpreting The Dance’ in Adshead, J., ed. Dance Analysis, London: Dance Books 60-81

Houston, S. (2002) Quiet Revolutions: Philosophical and other concepts of community dance in the New Labour years, 1997-2001, London: University of Surrey, Roehampton

Horton-Fraleigh, S. (1988) ‘Vulnerable Glance: Seeing Dance Through Phenomenology’, in Carter, A., ed. The Routledge Dance Studies Reader, London: Routledge 135-143

Horton-Fraleigh, S (1999) ‘Witnessing the frog pond’ in Researching Dance, London: Dance Books 188-224

Horton-Fraleigh, S. (1987) Dance and the Lived Body, Pittsburgh: University of Pittsburgh Press

Horton-Fraleigh, S. & P. Hanstein, eds. (1999) Researching Dance: Evolving Modes of Inquiry, London: Dance Books

Hospers, J., ed. (1969) Introductory Readings in Aesthetics, London: The Free Press

Howell, A. (1999) The Analysis of Performance Art: A Guide to Its Theory and Practice, London: Routledge

Jackson, J. (1999) ‘William Forsythe’s Challenge to the Balletic Text’ in Adshead-Lansdale, J., ed. Dancing Texts: Intertextuality in Interpretation, London: Dance Books 104-129

Jakobson, R. (1997) ‘Linguistics and Poetics’, in Lodge, D., ed. Modern Criticism: A Reader, Essex: Addison Wesley Longman 31-55 (first published1960)

Jameson, F. (1991) Postmodernism, or the Cultural Logic of Late Capitalism, London: Verso

Jarrett L. (1997/98) ‘Contact 25: Making Contact’ in Total Theatre, Vol. 9, no. 4, 6-7

Jermyn, H. & P. Desai (2000) ‘Arts - What's in a Word? Ethnic Minorities and the Arts’, Arts Council of England

Jonas, G. (1992) Dancing, London: BBC Books

Jones, A. (1998) Body Art; Performing the Subject, Minneapolis: University of Minnesota

Jopke, C. (1997) ‘The Legacy of Empire: The British Case’ in Giddens, A., ed Sociology: Introductory Readings, Cambridge: Polity Press 223-225

Jordan, S. (1992) Striding Out: Aspects of Contemporary and New Dance in Britain, London: Dance Books

Jordan, S. & Thomas, H. (1998) ‘Dance and Gender: Formalism and Semiotics Reconsidered’ in Carter, A., ed. The Routledge Dance Studies Reader, New York: Routledge 241-249

Jowitt, D. (1995) ‘Beyond Description: Writing Beneath the Surface’ in Kim, M., ed. International Academic Conference on Dance, Seoul, S. Korea: Tong-Ku Park 246-252

Kant, I. (1987) Critique of Judgement, trans. Pluhar, W., Indianapolis: Hackett Publishing (first published, 1790)

Kant, I. (1997) Critique of Practical Reason, trans Gregor, M., Cambridge;Cambridge University Press (first published, 1788)

Katz, J. (2006) Passive Resistance: On the success of Queer artists in cold war American art part 1: the masculine quality of creating things, Internet WWW page at URL: www.queercultural center.org/Pages/KatzPages/KatzLimage.html (accessed Jan. 2007)

Kennedy, H. (2000) ‘Europe: Achieving Cultural Cohesion and Cultural Pluralism’ at Europe: The Cultural Dimension, Wilton Park Conference, September 2000

Kirstein, L. (1974) Dance: A Short History of Western Classical Dancing, New York: Dance Horizons

Koutsouba, M. (1999) ‘Outsider in an 'Inside' World, or Dance Ethnography at Home’ in Buckland, T., ed. Dance in The Field; Theory, Methods and issues in Dance Ethnography, London: Macmillan 186-195

Kurath, G. (1986) ‘Dance in Modern American Culture’ in Half a Century of Dance Research, Michigan: Cross-Cultural Dance Resources 366-383 (first published 1965)

Laban, R. (1980) The Mastery of Movement, Ullman, L., ed. Plymouth: Macdonald and Evans (first published 1950)

Langer, S. (1983) ‘The Magic Circle’ in Copeland, R. & M. Cohen, eds. What is Dance?: Readings in Theory and Criticism, Oxford: Oxford University Press 36-47

Laws, H. (2004) ‘Key Findings of the 2nd National Inquiry into Dancers’ Health and Injury’, Dance UK, 52, 2004

Lawson, J. (1975) Teaching Young Dancers, London: A&C Black

London 2012 (2004) Internet WWW page at URL: www.london2012.com/en/news/archive/2004/january/2004-01-29-17-47.htm (accessed April 2007)

Leeds, University of (not dated) Report 6 Trends in Participation by Lower Socio-economic Groups, Internet WWW page at URL: http://www.leeds.ac.uk/educol/ncihe/r6039.htm (accessed 06.12.06)

Lomax, A. (1971) ‘Choreometrics and Ethnographic Film-making’, Filmmakers Newsletter,   4. 4: 22-30

Lovell, T. (2000) ‘Feminisms of the Second Wave’, in Turner, B., ed. The Blackwell Companion to Social Theory, Oxford: Blackwell (first published 1996)

Macaulay, A. (1996) ‘Aspects of Englishness’ in Dance Theatre Journal,12. 4: 22-28

Macaulay, A. (1996) ‘Gender, Sexuality, Community’ in Jordan, S. & A. Grau, eds.  Following Sir Fred’s Steps, London: Dance Books 15-126 (first published 1989)

MacKenzie, J. (1990) ‘Has Choreology Any Parameters?’ in Working Papers in Dance Studies, Vol. 3. London: Laban Centre 37-40

Mackrell, J. (1992) Out of Line: The Story of British New Dance, London: Dance Books

Marks, V. (1993) Outside In, London: BBC/ Arts Council of England

Mauss, M. (1979) ‘Techniques of the Body’ in Kegan P., ed. Sociology and Anthropology, London: Routledge (first published 1935)

McFee, G. (1992) Understanding Dance, London: Routledge

McFee, G. (2001) ‘Wittgenstein, Performing Art and Action’ in Allen, R. & M. Turvey, eds. Wittgenstein, Theory and the Arts, London: Routledge 92-116

McFee, G. (2005) ‘The Artistic and the Aesthetic’, in British Journal of Aesthetics, 45:4, 368-387

McGuigan, J., ed. (1997) Cultural Methodologies, London, Sage

Meager, R. (1970) ‘Aesthetic Concepts’ in British Journal of Aesthetics, 10, 303 -322

Meduri, A. (2003) ‘Multiple Pleasures: Improvisation in Bharatanatyam’, in Albright, A & D. Gere, eds., Taken By Surprise: A dance improvisation reader, Middletown: Wesleyan University Press 141-150

Merleau-Ponty, M. (1962) Phenomenology of Perception, trans. Smith, C., London: Routledge (first published (1945)

Merleau-Ponty, M. (1964) ‘Cezanne's doubt’, in Sense and Non-Sense, trans. Dreyfus H. & P. Dreyfus, Evanston: Northwestern University Press 9-25

Merleau-Ponty, M. (1972) ‘Eye and Mind’, in Osborne, H., ed., Aesthetics, Oxford: Oxford University Press 55-85 (first published1961)

Modood, T, (2005) Remaking Multiculturalism after 7/7, Internet WWW page at URL: www.opendemocracy.net

Modood, T., S. Beishan & S. Virdee (1994) Changing Ethnic Identities, London: The Philosophical Library and New York: Policy Studies Institute

Montero, B. (2006) ‘Proprioception as an Aesthetic Sense’, The Journal of Aesthetics and Art Criticism, 64:2, 231-242

Moore, S. (1988) ‘Here’s Looking at You Kid!’ in Gamman, L. & M. Marshment, eds. The Female Gaze,  London: The Women’s Press

Moran, D. (2000) Introduction to Phenomenology, London: Routledge

Morris, G. (2001) ‘Bourdieu, the Body, and Graham's Post War Dance’ ,Dance Research, 19: 2, 52-82

Nelson, K. (1997) ‘Answers not to be questioned in response to Danny Lepkoff’sQuestions not to Ask”’, in Nelson, L. & N. Starck Smith, eds., Contact Quarterly’s Contact Improvisation Sourcebook, Northampton, Mass: Contact Editions 137 (first published 1988)

Nelson, L. & N. Starck Smith, eds. (1997) Contact Quarterly’s Contact Improvisation Sourcebook, Northampton, Mass: Contact Editions

Newman, B. (1982) Striking a Balance, London: Hamish Hamilton

Norris, C. & A. Benjamin (1996) What is Deconstruction?, London: Academy Group

Novack, C. (1990) Sharing the Dance, Wisconsin: University of Wisconsin Press

Novack, C. (1997) ‘Egalitarianism and Hierarchy in Contact Improvisation’, in Contact Quarterly’s Contact Improvisation Sourcebook, Northampton, Mass.: Contact Editions 140-141 (first published 1988)

Noverre, J. G. (1975) Letters on Dancing and Ballets, trans. Beaumont, C., London: Dance Books (first published 1760)

Office for National Statistics (2001) Census, London: HM Government

Osborne, H., ed. (1972) Aesthetics, London: Oxford University Press

Pakes, A. (2004) ‘Reflections on Phenomenology and Dance’, Research seminar, Roehampton University: not published

Pakes, A. (2006) ‘Dance’s Body-Mind Problem’, Dance Research 14.2:87-104  

Paxton, S. (1997) ‘Hier-Visibility’ in Contact Quarterley Contact Improvisation Sourcebook, Northampton, Mass.: Contact Editions 166-167 (first published 1989)

Perez-Gomez, A. & L. Pelletier (2000) Architectural Representation and the Perspective Hinge, Cambridge, Mass. & London: The MIT Press

Perron, W. (2001) ‘Dance in the Harlem Renaissance: Sowing Seeds’, in Embodying Liberation, Fischer-Hornung and Goeller, eds. Hamburg: Lit Verlag 23-40

Perugini, M. (1935) A Pageant of the Dance and Ballet, London: Jarrolds

Phillips, T. (2005) ‘After 7/7: Sleepwalking to Segregation’,London: Council for Racial Equality

Phillips, Y. (2001) ‘The Aesthetics of Hip-Hop Theatre: Jonzi D talks to Yvonne Phillips’, in Dance UK News, 40, 4-5

Polhemus, T., ed. (1978) Social Aspects of the Human Body, Harmondsworth: Penguin Books

Polhemus,T. (1998) ‘Dance, Gender and Culture’, in Carter, A., ed. The Routledge dance studies reader, London: Routledge 171-179 (first Published 1993)

Preston-Dunlop, V. (1995) Dance Words, Amsterdam: Harwood Academic

Preston-Dunlop, V. (1998) Looking at Dances: A Choreological Perspective on Choreography, London: Verve

Preston-Dunlop, V. & A. Sanchez-Colberg (2002) Dance and the Performative,  London: Verve

Price, J. Amazon.co.uk review, Internet WWW page at URL: www.amazon.co.uk/New-York-City-Ballet-Workout/dp/B00005AMF1/sr=1-2/qid=1164548456/ref=pd_bowtega_2/203-6792931-5923962?ie=UTF8&s=dvd (accessed 21.10.2006)

Rader, M. (1979) ‘Introduction: The Meaning of Art’, in Rader, M., ed. A Modern Book of Aesthetics, (5th ed.) New York: Holt Reinhardt and Winston 1-22 (Original work published 1961)

Rambert Dance Company (not dated) This Season’s Dancers, Internet WWW page at URL: www.rambert.org.uk/index.html (accessed April 2007)

Random Dance Company (not dated) Profile, Internet WWW page at URL: www.randomdance.org/random/index.html (accessed January 2005 and April 2007)

Random Dance (not dated) The Dancers, Internet WWW page at URL: www.randomdance.org/random/index.html (accessed 2005 and 2007)

Reid, L. (1969) ‘Expression and the Emergence of 'Creative Embodiment'’ in Meaning in the Arts, London: George Allen 75-89

Reid, L. (1979) ’Embodiment of Values’, in Rader, M., ed. A Modern Book of Aesthetics, (5th ed.) New York: Holt Reinhardt and Winston 182-187 (first published in 1961)

Reynolds, N. & M. McCormick (2003) No Fixed Points: Dance in the Twentieth Century New Haven and London: Yale University Press

Ritzer, G. (1996) [1983] Sociological Theory (Fourth Edition), International: McGraw ­Hill

Roslavelva, N. (1966) Era of the Russian Ballet,1770-1965, London: Gollancz

Royal Ballet (not dated) Artists, Internet WWW page at URL: www.info.royaloperahouse.org/ballet/index (accessed April 2007)

Rowell, B. (2000) ‘United Kingdom: An Expanding Map’, in Grau, A. and S. Jordan, eds. Europe Dancing: Perspectives on Theatre Dance and Cultural Identity, London: Routledge

Rowell, B. (2003) An Investigation into Critical Analysis of Postmodern Dances, London: University of Surrey, Roehampton

Rubidge, S. (1989) ‘Decoding Dance: Dance’s Hidden Political Agenda’ in Dance Theatre Journal, 7, 2

Russell, B. (1946) A History of Western Philosophy, London:George Allen and Unwin

Said, E. (1995) Orientalism, London: Penguin (first published 1979)

Shapiro, S. ed. (1998) Dance Power and Difference, Illinois: Human Kinetics

Schilder, P. (1950) The Image and Appearance of the Human Body: Studies in the Constructive Energies of the Psyche, New York: International Universities Press (first published 1935)

Schultz, E. & R. Lavenda (1990) Cultural Anthropology: A Perspective on the Human Condition, St Paul: West Publishing Co. (first published 1987)

Searle, J. (1984) Minds, Brains and Science: The 1984 Reith Lectures, London: British Broadcasting Corporation

Shobana Jeyasingh Dance Company (2005) Tour 2005, Internet WWW page at URL: www.shobanajeyasingh.co.uk/tourdates.html (accessed 2005)

Sheets-Johnstone, M. (1979) The Phenomenology of Dance, London: Dance Books (first published 1966)

Sheets-Johnstone, M. ed. (1984) Illuminating Dance: Philosophical Explorations, Lewisburg: Bucknell University Press

Shelton, S. (1981) Divine Dancer: A Biography of Ruth St. Denis, New York: Doubleday

Shilling, C. (1993) The Body and Social Theory, London: Sage

Shilling, C. & P. Mellor (1996) ‘Embodiment, Structuration Theory and Modernity:Mind/Body Dualism and the Repression of Sensuality’, Body and Society, 2, no. 4, 1-16

Shusterman, R. (1997) ‘The End of Aesthetic Experience’,The Journal of Aesthetics and Art Criticism, 55. 1.  29-41

Shusterman, R. (1999) ‘Somaesthetics: A Disciplinary Proposal’ in Journal of Aesthetics and Art Criticism, 57:3 299-313

Sibley, F. (1978) ‘Aesthetic Concepts’ in Margolis, J., ed., Philosophy Looks at the Arts, Philadelphia: Temple University Press 64-87 (first published 1959)

Siddall, J. (2001) 21st Century Dance, Arts Council of England

Siobhan Davies Dance Company Dancers, Internet WWW page at URL: www.sddc.org.uk/index.php/parent/67/item/347 (accessed January 2005 and April 2007)

Siedman, I. (1991) Interviewing As Qualitative Research, New York: Teachers College Press

Siegel, M. (1987) Days on Earth: The Dance of Doris Humphrey, New Haven and London, Yale University Press

Siegel, M. (1972) ‘More Geese than Swans’ in At the Vanishing Point: A Critic Looks at Dance, New York: Saturday Review Press 53-57(first published 1968)

Siegel, M. (1977) ‘Steps in the Fog’, in Watching the Dance Go By, Boston: Houghton Mifflin 8-13 (first published 1974)

Sim, S. (1992) ‘Structuralism and Post­Structuralism’, in Hanfling, O., ed., Philosophical Aesthetics: An Introduction, Oxford: Blackwell in association with Open University Press 405-439

Skelton, A., A. Bridgewood, K. Duckworth, L. Hutton, C. Fenn, C. Creaser & A. Babbidge (2002) Arts in England: Attendance, Participation and Attitudes in 2001,  Arts Council of England

Sklar, D., ed. (2001) ‘Dance Ethnography: Where Do We Go From Here?’ in Dance Research Journal, 33. 1: 90-94

Smith, C. (1998) ‘On Authoritarianism in the Classroom’, in Shapiro S., S. Stinson & Fortin, S. eds.  Dance, Power and Difference Champaign, IL: Human Kinetics Publishers 123-146

Sparshott, F. (1995) A Measured Pace, Toronto: University of Toronto Press

Stolnitz, J (1960) Aesthetics and the Philosophy of Art Criticism, Boston: Riverside

Sutcliffe, F. (1968) ‘Introduction’ in Descartes, R. Discourse on Method and the Meditations, London: Penguin

Tagg, J. (1992) Grounds of Dispute, London: Macmillan

Thomas, H., ed. (1993) Dance, Gender and Culture, London: Macmillan

Thomas, H. (1995) Dance, Modernity and Culture, London: Routledge

Thomas, H. (1996) ‘Do You Want to Join the Dance?’ in Morris, G., ed. Moving Words: Rewriting Dance, London: Routledge 63-89

Thomas, H. (1997) ‘Dancing: Representation and Difference’ in McGuigan, J., ed. Cultural Methodologies, London: Sage 142-154

Thomas, H. (2002) ‘Dancing into the Third Age’, in Dance Research, 20. 1: 54-79.

Thomas, H. (2003) The Body, Dance and Cultural Theory, New York: Palgrave Macmillan

Thomas, K. (1993) ‘An Introduction’ in Bremmer, J. & H. Roodenburg, eds.  A Cultural History of Gesture, Cambridge: Polity Press 1-12

Tolstoy, L. (1975) What is Art?, trans. Maude, A.,  London: Oxford University Press (first published 1898)

Tomkins, A. (2006) ‘To Keep or Not to Keep the Word Community in Community Dance’,  Animated, Summer 2006, 31-33

Turner, B., ed. (1984) ‘Introduction: Body Paradoxes’ in The Body and Society, New York: Basil Blackwell vii-xv

Turner, B., M. Hepworth & M. Featherstone, eds. (1991) The Body: Social Processes and Cultural Theory, London: Sage

Turner, B. (1994) Orientalism, Postmodernism and Globalism, London: Routledge

Turner, B. (1996) The Body and Society, London: Sage (first published 1984)

Turner, B., ed. (2000) The Blackwell Companion to Social Theory, (2nd. ed.) London: Blackwell

Turner, T. (1994) ‘Bodies and Antibodies: Flesh and Fetish in Contemporary Social Theory’, in Csordas, T., ed. Embodiment and Experience, Cambridge: Cambridge University Press 27-47

Union Dance Company (not dated) The Mission, Internet WWW page at URL:  www.uniondance.co.uk/htm/about.htm (accessed 2005 and 2007)

Urciuoli, B. (1995) ‘The Indexical Structure of Visibility’, in Farnell, B., ed. Human Action Signs in Cultural Context, Metuchen, N.J.: The Scarecrow Press 189-215

Varela, C. (1995) ‘Cartesianism Revisited: The Ghost in the Moving Machine or the Lived Body’, in Farnell, B., ed., Human Action Signs in Cultural Context, Metuchen, N.J., and London: The Scarecrow Press 216-293

Vaughan, D. (1999) Frederick Ashton and His Ballets, London: Dance Books (first published 1977)

Weiss, G. (1999) Body Images: Embodiment as Intercorporeality, New York: Routledge

Wilkinson, R. (2000) Minds and Bodies: An Introduction with Readings, London: Routledge

Williams, D. (1995) ‘Space, Intersubjectivity, and the Conceptual Imperative’, in Farnell, B., ed. Human Action Signs in Cultural Context, Metuchen, N.J., and London: The Scarecrow Press 44-81

Williams, F. (1993) ‘Translator’s Preface’ in Foucault, M, & L. Binswanger, ed. K. Hoeller, Dream & Existence,  Atlantic Highlands, NJ: Humanities Press, Studies in Existential Psychology and Psychiatry (first published 1985)

Wittgenstein, L. (2001) Philosophical Investigations: Part II, trans. Anscombe, G., Oxford: Blackwell (first published 1953 and written 1947-49)

Wolff, J. (1993) The Social Production of Art (2nd ed.), London: Macmillan